Collecting online information on writing fiction for publication...and beginning in 2012, writing about whatever else I darn well please that deals with plot, or character, or anything else related in some vague way to writing fiction.
March 29, 2009
March 25, 2009
March 24, 2009
Reading Robert B. Parker Now ...
I don't know why I've never read any Robert B. Parker before now. Stupid.
And, truth be told, I owe it all to Tom Selleck, because those Jesse Stone movies he's been producing and starring in -- they're specials on CBS -- made me wonder about the novels. Then, I was in line at the store and someone had stuffed one of the Jesse Stone paperbacks (Stranger in Paradise) in between the beef jerky and the King Size Snickers bars and of course, I took it as a sign.
And, sure enough it was. I love and adore Robert B. Parker.
Fast read, clean read. A true master here -- especially enjoying his dialogue. Wow. So well done, and he appears to be a member of the "use 'said' or don't use anything at all school."
Dialogue. Wow.
You know -- he said, she said. Not he cried, she exclaimed, he snarled. Dean Koontz, another one with this as a writing rule ....
I'm going through the Sunny Randall series now. From the debut forward, in publication order. And, I'm also doing this with the Jesse Stone series.
Spencer? I'm waiting on him -- that's a big buncha books, plus I dunno. I feel less connected somehow to Spencer, although I do remember the TV series from years ago, and I do remember liking the characters there. Hawk. Cool.
And, fine. I have to be honest. One of the reasons that I'm really enjoying Parker's work has nothing to do with plots or settings or character development or series construction or mysteries or thrillers or anything like that.
I love Rosie the bull terrier.
I just really like Rosie, the miniature bull terrier that splits her time between Sunny Randall and her ex-husband. Rosie is just endearing and fabulous, and well ... dog lovers are a special kind of folk, and it's nice to know that Robert B. Parker is one of us. (And, sure, I'm waiting for Jesse Stone to get his dog ... he better get one, the TV Jesse has that great golden in every story that I've seen.)
Wish Rosie had a blog, though. I mean, Martha Stewart's pugs (Francesca and Sharky) just got one, and heck. Dean Koontz's dog Trixie Koontz, has a blog AND is still writing books from the other side of Rainbow Bridge.
March 10, 2009
March 9, 2009
Blagojevich Gets Million Dollar Book Deal - Will YOU buy that book?
In today's news former Illinois governor Blagojevich failed to get federal prosecutors thrown off his corruption case -- the prosecutor has described Balgojevich's activities as a "white collar crime spree" that would make Abe Lincoln "roll over in his grave."
And yet, he's just made over a million bucks (all we know is "six figures") with his agreement to write a purported expose of the dark side of politics (there's another side?) for Phoenix Books. The tome is scheduled to hit the shelves in October.
I just gotta wonder two things:
1. what juice can he possibly put in this story, when you know his lawyers aren't going to let him write anything that pertains to the pending charges?
2. who cares? I'm not planning on even borrowing this one from the library, much less spend cash on the darn thing. Six-figures? Right. Sure. Stinks like a three-day old fish.
And yet, he's just made over a million bucks (all we know is "six figures") with his agreement to write a purported expose of the dark side of politics (there's another side?) for Phoenix Books. The tome is scheduled to hit the shelves in October.
I just gotta wonder two things:
1. what juice can he possibly put in this story, when you know his lawyers aren't going to let him write anything that pertains to the pending charges?
2. who cares? I'm not planning on even borrowing this one from the library, much less spend cash on the darn thing. Six-figures? Right. Sure. Stinks like a three-day old fish.
March 5, 2009
PBW Made Me Laugh - Maybe You Will Too
Great post today by Lynn Viehl over at Paperback Writer. Maybe her best post ever. Go read it, you'll laugh.
And, for backstory before you do ... read this post, which explains the whole shiny pink cover horror.
And, for backstory before you do ... read this post, which explains the whole shiny pink cover horror.
March 4, 2009
Esquire's 7 Greatest Stories - Full Text and Free
Over at Esquire magazine's website, you can read the seven works which the editors of Esquire have collected as the "7 Greatest Stories in the History of Esquire Magazine," with Gay Talese's essay on Frank Sinatra ("Frank Sinatra Has a Cold") considered to be the best of the best.
February 7, 2009
Mario Puzo Godfather Lessons: Comparing the Book to the Screenplay
I love the Godfather movies, even III, even The Saga (you know, the one where they cut and pasted I and II together, chronologically), and sure, of course, the Director's Cut.
But I'd never read Mario Puzo's original work, The Godfather, thinking it would make me like the movies less or that I wouldn't like the book, having seen the movie. Hey, I already knew that Sonny had dark hair in the book -- and James Caan is Sonny to me. I didn't want my head messed with, if you know what I mean.
Then, last weekend, I was at the library roaming thru the AudioBooks, and there was a brand new green box, filled with the unabridged version of Puzo's The Godfather. I'm not sure why I picked it up.
But, boy howdy, am I glad I did. Before I had finished the first CD, I was at the bookstore buying a copy. I could only find paperback, and I'm still not satisfied: I gotta have the hardback. I need it! The highlighting soaks thru the paperback version.
And, for a writer, there is so much to learn here. Plot, character, voice, setting. Amazing stuff.
Like what, you ask?
Well, first ... the book gets you hooked right off the bat, but it doesn't start off like the film. On paper, you're down at the NYC Criminal Courts, with Bonasera the undertaker. Remember him? Next, you're over in Hollywood with Johnny Fontane and his second wife, a beautiful movie star with violet eyes. (I'm still thinking she's an homage to Ava Gardner even if she does have Liz Taylor eyes.) Enzo the baker shows up, another locale, another thread drawing you in. Bang, bang, bang.
So different from the movie. But Mario Puzo wrote both the book and the screenplay and there is master storytelling here. Puzo Lessons begin on the first page: he's got Bonasera's story down in less than 1000 words and then he flips coasts to take us into drunk Johnny Fontane's Beverly Hills mansion. Puzo Lesson on get-er-done: edit down that word count.
I understand the characters more - and I'm barely into the book. I get Tom Hagen more than I ever did, same thing for Kay. Heck, same for Enzo. Puzo Lesson on people: have them all fully dimensional, no matter how secondary they may ultimately be to the plot. Don't skimp on your prep.
Puzo also takes the time to insert wisdom in these pages. Nice little zingers are scattered here, things that are in the Quotation books now. Puzo Lesson: good writing involves a level of wisdom, as well as that old adage "write what you know." Puzo knew NYC because he was from NYC. And, Puzo had learned a number of life lessons during his career as a reporter before this book ever came to fruition. This all shows.
Puzo built a world that so many loved to enter - and still do. How that was built, how those characters were developed, what he thought was important and why, reveal themselves in a fascinating way through this process.
The Puzo Lessons
Maybe part of all this is listening to his words, and then reading them. That does give nuance.
But another part of it is comparing what Puzo built in the book and how he revisited it for the movie. Especially for the first film.
Another nugget: Puzo's interview by Larry King. (He saw The Godfather as a family story, not a crime story. Interesting, right?)
But I'd never read Mario Puzo's original work, The Godfather, thinking it would make me like the movies less or that I wouldn't like the book, having seen the movie. Hey, I already knew that Sonny had dark hair in the book -- and James Caan is Sonny to me. I didn't want my head messed with, if you know what I mean.
Then, last weekend, I was at the library roaming thru the AudioBooks, and there was a brand new green box, filled with the unabridged version of Puzo's The Godfather. I'm not sure why I picked it up.
But, boy howdy, am I glad I did. Before I had finished the first CD, I was at the bookstore buying a copy. I could only find paperback, and I'm still not satisfied: I gotta have the hardback. I need it! The highlighting soaks thru the paperback version.
And, for a writer, there is so much to learn here. Plot, character, voice, setting. Amazing stuff.
Like what, you ask?
Well, first ... the book gets you hooked right off the bat, but it doesn't start off like the film. On paper, you're down at the NYC Criminal Courts, with Bonasera the undertaker. Remember him? Next, you're over in Hollywood with Johnny Fontane and his second wife, a beautiful movie star with violet eyes. (I'm still thinking she's an homage to Ava Gardner even if she does have Liz Taylor eyes.) Enzo the baker shows up, another locale, another thread drawing you in. Bang, bang, bang.
So different from the movie. But Mario Puzo wrote both the book and the screenplay and there is master storytelling here. Puzo Lessons begin on the first page: he's got Bonasera's story down in less than 1000 words and then he flips coasts to take us into drunk Johnny Fontane's Beverly Hills mansion. Puzo Lesson on get-er-done: edit down that word count.
I understand the characters more - and I'm barely into the book. I get Tom Hagen more than I ever did, same thing for Kay. Heck, same for Enzo. Puzo Lesson on people: have them all fully dimensional, no matter how secondary they may ultimately be to the plot. Don't skimp on your prep.
Puzo also takes the time to insert wisdom in these pages. Nice little zingers are scattered here, things that are in the Quotation books now. Puzo Lesson: good writing involves a level of wisdom, as well as that old adage "write what you know." Puzo knew NYC because he was from NYC. And, Puzo had learned a number of life lessons during his career as a reporter before this book ever came to fruition. This all shows.
Puzo built a world that so many loved to enter - and still do. How that was built, how those characters were developed, what he thought was important and why, reveal themselves in a fascinating way through this process.
The Puzo Lessons
Maybe part of all this is listening to his words, and then reading them. That does give nuance.
But another part of it is comparing what Puzo built in the book and how he revisited it for the movie. Especially for the first film.
Another nugget: Puzo's interview by Larry King. (He saw The Godfather as a family story, not a crime story. Interesting, right?)
January 16, 2009
Lisa Scottoline Has A Column - And You Should Read It
Lisa Scottoline has a weekly column in the Philidelphia Inquirer, which appears every Sunday under the title "Chick Wit."
You should read it. It's hilarious. And, of course, it's well written.
You should read it. It's hilarious. And, of course, it's well written.
January 14, 2009
Janet Evanovich is Working Right Now
I discovered a short post over at Janet Evanovich's website, where she describes her average workday. It made me feel better, and I thought I'd post it here (it's the next to last FAQ), for all of us to remember as we're procrastinating or distracting ourselves or eating more chips, making more coffee:Janet Evanovich is working right now. And she has been since 6 this morning.
Cowboy up, my friends.
This gets to me so much, that I've changed my screensaver: "Janet Evanovich is WORKING right now!" Really helps keep me on track and away from standing, staring into an open fridge.
I may lose weight this way, too, right?
Image: Fearless Fourteen was the Most Borrowed Book of 2008 in Dayton, Ohio, among other places. Check out my post today over at Writer-Lawyer for more on such things....
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